Cut and Fold Techniques for Pop-Up Designs by Paul Jackson

By Paul Jackson

Introducing strategies for making pop-ups from one sheet of card, the 3rd name during this sequence on paper engineering takes folding ideas into the 3rd measurement. every one bankruptcy introduces a brand new technical suggestion and exhibits how that process might be tailored in lots of other ways, or mixed with strategies from past chapters. those 3D recommendations might be included into any layout the place typography and/or representation are used, together with mail-shots, own exposure, invites, company playing cards, and greetings playing cards. With their emphasis on floor layout over advanced slicing, the pop-ups have an immediate allure for designers.Following the dependent, easy-to-follow form of Paul Jackson’s different titles for Laurence King, reduce and Fold ideas for Pop-Up Designs is a vital source for advertising pros and layout scholars.

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If the cut was mirrored, the total number of different-looking pop-ups when the left-hand and right-hand designs were displayed together would double to sixty-four. That’s a remarkably large number of variations. It’s amazing that so many design options can be derived from what is – after all – the simplest of pop-up forms. Even the simplest pop-up can offer great potential for creativity, as this example of one cut with sixty-four display possibilities shows. : 041 2. 4 Which Way Up, Which Way Around?

1 _ 1 The familiar dog-leg cut-and-fold pattern is shown in the left-hand illustration. The right-hand illustration shows the same pattern, but rotated off the vertical. Note that all the folds remain parallel to each other, but are not now square to the edges of the card. The construction can be cut and folded to look like any of the eight ‘Three and One’ or ‘Two and Two’ structures shown in Chapter 2. : 054 3. 1 Not Parallel to the Edge In this example, the sloping pop-up stands with great stability.

The equal angles can be measured with a protractor, or more simply by marking two points along the bottom edge of the card, equidistant from the centre line, then connecting them to the point of convergence. 2 _ 3 This is the completed Basic Construction. 3. 2 _ 4 These are the four basic ‘Three-andOne’ and ‘Two-and-Two’ crease patterns which can be created from the basic construction. Refer to Chapter 2 for full details. 2 _ 4. Note that one is sitting. The disruption to the edge on the left created by the converging folds means that it will not stand upright.

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