Sound and Music in Film and Visual Media: A Critical by Graeme Harper

By Graeme Harper

Sound and Music in movie and visible Media: A severe Overview is a accomplished paintings defining and encapsulating techniques, concerns and purposes in and round the use of sound in movie and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, that are associated by means of highlighted textual content and reference fabric, collect unique learn by means of a number of the world's most sensible students during this rising box. whole with an intensive bibliography, Sound and song in movie and visible Media presents the main accomplished and wide-ranging consideration of this subject yet produced.

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Allen) By 1973, Dolby sought to improve the cinematic playback experience with the release of the Model E2 Cinema Equalizer. The first Dolby stereo optical soundtrack for the film, Lisztomania, was only released in 1975, featuring the classical, flamboyant articulation of Yes keyboardist, Rick Wakeman. This followed the installation in London of the CP-100, 'the first multi-channel Dolby cinema processor introduced for playback in theatres of Dolby Stereo magnetic and optical soundtracks' (Dolby Web site).

Altman (1995), pp. 4-5. 40 SOUND AND MUSIC IN FILM AND VISUAL MEDIA 36. Ibid, p. 5. 37. Crafton (1997), p. 12; Chanan (1995), p. 74; Morton (2004), p. 76. 38. Chanan (1995), p. 71. 39. Morton (2004), pp. 111-12. 40. Crafton (1997), pp. 12-13. 41. ' 42. Crafton (1997), p. 235. 43. 5. 44. Morton (2004), p. 76.

30. Morton (2004), p. 74. 31. Altman (1995), p. 4. 32. Chanan (1995), pp. 72-3. 33. , p. 73. 34. Morton (2004), p. 74. 35. Altman (1995), pp. 4-5. 40 SOUND AND MUSIC IN FILM AND VISUAL MEDIA 36. Ibid, p. 5. 37. Crafton (1997), p. 12; Chanan (1995), p. 74; Morton (2004), p. 76. 38. Chanan (1995), p. 71. 39. Morton (2004), pp. 111-12. 40. Crafton (1997), pp. 12-13. 41. ' 42. Crafton (1997), p. 235. 43. 5. 44. Morton (2004), p. 76.

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