The Daily Show and rhetoric : arguments, issues, and by Trischa Goodnow & Jonathan E.Mullen & Stephanie M. Purtle &

By Trischa Goodnow & Jonathan E.Mullen & Stephanie M. Purtle & John W. Self & Robert Spicer & Timothy Steffensmeier & Penina Wiesman & Kelly Wilz

The day-by-day express and Rhetoric: Arguments, matters, and Strategies examines the preferred Comedy important application from a rhetorical viewpoint to discover the ways that Jon Stewart, the solid, and writers critique mainstream media and politicians. This quantity analyzes the character of The day-by-day Show, the arguments this system makes concerning the media and politics, the techniques which are used, and a few of the actual matters approximately which this system makes arguments. total, the individuals skillfully display that The day-by-day Show is greater than only a exhibit designed to make the viewers giggle. particularly, the convey offers valuable info and arguments in order that the viewers could make educated judgements in regards to the global round them

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Rally to Restore Sanity. (2010). com/. Smith, C. R. (2004). Ethos dwells pervasively: A hermeneutic reading of Aristotle on credibility. In M. J. ), The Ethos of Rhetoric (pp. 1–19). Columbia, South Carolina: University of South Carolina Press. Smolkin, R. (2007). What the mainstream media can learn from Jon Stewart: No, not to be funny and snarky, but to be bold and to do a better job of cutting through the fog. American Journalism Review 29(3), 18–25. (2004, October 15). Crossfire. [Television program transcript].

The Ethos of Rhetoric (pp. xiii–xxviii). Columbia, South Carolina: University of South Carolina Press. Kraut, R. (2010, March 29). Aristotle’s Ethics. In E. W. ), The Stanford Encyclopedia of Philosophy (Summer 2010 Edition). edu/entries/aristotle-ethics/. Long, B. (2004, September 29). politics/. McKain, A. (2005). Not necessarily not the news: gatekeeping, remediation, and The Daily Show. The Journal of American Culture, 28(4), 415–430. Morris, J. (2008). The Daily Show with Jon Stewart and audience attitude change during the 2004 party conventions.

In Kalan’s own words, media critic is “a role we provide that we take very seriously” 6 (para. 5). The Cramer feud is one such moment of pointing out one media figure’s wrongdoings and in so doing making a larger statement about the perceived corruption of the American economic system. Conversely, this is also a moment where satire is working in its reciprocal symbiotic relationship with the modes of power it is critiquing. As Stewart began to criticize Cramer, television news programs, particularly those on NBC stations owned by Cramer’s employer General Electric, started to pick up on the story.

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