The Global Sixties in Sound and Vision: Media, by Timothy Scott Brown, Andrew Lison (eds.)

By Timothy Scott Brown, Andrew Lison (eds.)

Show description

Read or Download The Global Sixties in Sound and Vision: Media, Counterculture, Revolt PDF

Best pop culture books

What Ifs? Of American History

Did Eisenhower steer clear of a showdown with Stalin by means of now not taking Berlin sooner than the Soviets? What may need occurred if JFK hadn't been assassinated? This new quantity within the largely praised sequence offers attention-grabbing "what if. .. " situations by way of such fashionable historians as: Robert Dallek, Caleb Carr, Antony Beevor, John Lukacs, Jay Winick, Thomas Fleming, Tom Wicker, Theodore Rabb, Victor David Hansen, Cecelia Holland, Andrew Roberts, Ted Morgan, George Feifer, Robert L.

Sound and Music in Film and Visual Media: A Critical Overview

Sound and Music in movie and visible Media: A serious Overview is a complete paintings defining and encapsulating recommendations, matters and purposes in and round the use of sound in movie and the cinema, media/broadcast and new media. Over thirty definitive full-length essays, that are associated through highlighted textual content and reference fabric, collect unique examine by means of a few of the world's most sensible students during this rising box.

Aboriginal self-determination. The Whiteman's dream

Land rights, welfare and tradition have locked aborigines out of the nice lifestyles. Land has turn into a burden, welfare has turn into disabling, undesirable behaviour is wrong for tradition. there's a manner out. Aborigines needs to abide via an identical principles as another Australian — search out possibilities, examine tough, and unfastened themselves from a tradition of undesirable behaviour.

The Boston Cosmopolitans: International Travel and American Arts and Letters, 1865–1915

This booklet strains the development of cosmopolitanism from the non-public event of a gaggle of artists and intellectuals who lived and labored in Boston among 1865 and 1915 to comprehensive works of enormous artwork that formed public house.

Extra resources for The Global Sixties in Sound and Vision: Media, Counterculture, Revolt

Sample text

36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. M 27 13 (July 1970): 14. W. Norton, 2001), 327. Philippe Koechlin, “Enquête sur une musique accablée de soupçons,” Rock & Folk 48 (January 1971): 63. Hervé Hamon and Patrick Rotman, Génération (Paris: Seuil, 1987), 261. Vive la Revolution: Journal de Marxiste-Leniniste-Maoiste 6 (June 5, 1970): 2. Paul Alessandrini, “Nouvelles de l’underground,” Rock & Folk 48 (January 1971): 19. This was by no means an isolated case, as many rock concerts and festivals encountered resistance from municipal authorities during the early 1970s, leading many French musicians to choose to participate in concerts outside of France.

19 He outlined a series of general tendencies and dispositions that characterized the Brazilian avant-garde, beginning with what he called the “general constructive will” (vontade construtiva geral)—an abiding commitment to constructivist projects in visual arts, poetry, and architecture in modern Brazil. Other principles included the negation of painting, spectator participation, engagement with social, political, and ethical problems, collective projects, and finally, the revival of “anti-art” along the lines first proposed by Duchamp in the early twentieth century.

Louis, MO, March 2009). 20. Red Noise, “Caka Slow,” Sarcelles-Lochères Future Red 1 (1970), LP. 21. Philippe Parginaux, “Disques,” Rock & Folk 50 (March 1971): 91. 22. “Red Noise: Sarcelles-Lochères,” Actuel 8 (May 1971): 63. 23. Macan, Rocking the Classics, 81. 24. Bruce Johnson and Martin Cloonan, The Dark Side of the Tune: Popular Music and Violence (Burlington, VT: Ashgate, 2008), 95; and Philippe Aubert, “L’agit pop,” Actuel A Red Noise 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38.

Download PDF sample

Rated 4.43 of 5 – based on 21 votes