The Other in Contemporary Migrant Cinema by Guido Rings

By Guido Rings

As a speedily getting older continent, Europe more and more is dependent upon the profitable integration of migrants. regrettably, modern political and media discourses detect and often additionally aid the improvement of nationalist, eurosceptic and xenophobic reactions to immigration and starting to be multiethnicity. Confronting this development, ecu cinema has constructed and disseminated new transcultural and postcolonial choices that may aid to enhance integration and neighborhood team spirit in Europe, and this publication investigates those choices with the intention to determine examples of fine practices that may improve eu balance. whereas the cinematic spectrum is as vast and open as so much notions of Europeanness, the movies tested percentage a basic curiosity within the different. during this qualitative movie research process, specific attention is given to British, French, German, and Spanish productions, and a comparability of multiethnic conviviality in Chicano cinema.

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Html) (last accessed July 27, 2015). Jäckel, Anne (2015): ‘Changing the Image of Europe? The Role of European Co-productions, Funds and Film Awards’, in: Harrod, Mary; Mariana Liz; Alissa Timoshkina (2015): The Europeanness of European Cinema: Identity, Meaning, Globalization. London: Tauris, pp. 59–71. Junkelmann, Marcus (2004): ‘Träume von Rom. ): Geschichte und Film. München: Herbert Utz, pp. 63–89. Kachru, Braj B. (1990): Alchemy of English. The Spread Functions and Models of Non-Native Englishes.

It would be an error to assume that the film’s miracles depend solely on the Christian beliefs that guide the protagonist of the historical report. 16 All this confirms that Echevarría’s protagonist has not ‘abandoned’ his Christian heritage in order to assimilate into Indian heritage, but he offers a synthesis based on ‘multidirectional memory’ (Rothberg 2011) that ‘blurs’ the boundaries of the two cultures (Antor 2006: 30). In contrast to the hero from Shipwrecks, who gains power from an ideal of purity, including his refusal to ‘contaminate’ his Christian belief system, the filmic protagonist draws power from transculturation.

Manchester: St Jerome Publishing. ): Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization. Stanford: Stanford University Press, pp. 1–29. Rothberg, Michael (2011): From Gaza to Warsaw: Mapping Multidirectional Memory’, in: Criticism 53/4, pp. 523–548. Said, Edward (1995[1978]): Orientalism. Western Conceptions of the Orient. London: Penguin. Santaolalla, Isabel (2005): Los “Otros”. Etnicidad y “raza” en el cine español contemporáneo. Zaragoza: Prensas universitarias de Zaragoza.

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