Three Stones Make a Wall: The Story of Archaeology by Eric H. Cline
By Eric H. Cline
From the bestselling writer of 1177 B.C., a entire background of archaeology--from its beginner beginnings to the state-of-the-art technological know-how it's today.
In 1922, Howard Carter peered into Tutankhamun's tomb for the 1st time, the one gentle coming from the candle in his outstretched hand. prompt to inform what he used to be seeing during the small establishing he had minimize within the door to the tomb, the Egyptologist famously responded, "I see great things." Carter's marvelous discovery is only one of the numerous spellbinding tales advised in Three Stones Make a Wall.
Written through Eric Cline, an archaeologist with greater than thirty seasons of excavation adventure, Three Stones Make a Wall lines the heritage of archaeology from an novice pursuit to the state-of-the-art technology it really is at the present time via taking the reader on a journey of significant archaeological websites and discoveries, from Pompeii to Petra, Troy to the Terracotta Warriors, and Mycenae to Megiddo and Masada. Cline brings to existence the personalities in the back of those digs, together with Heinrich Schliemann, the previous businessman who excavated Troy, and Mary Leakey, whose discoveries complex our realizing of human origins. the invention of the peoples and civilizations of the previous is gifted in shiny aspect, from the Hittites and Minoans to the Inca, Aztec, and Moche. alongside the way in which, the publication addresses the questions archaeologists are requested ordinarily: How are you aware the place to dig? How are excavations really performed? How are you aware how outdated whatever is? Who will get to maintain what's found?
Taking readers from the pioneering digs of the eighteenth century to the fascinating new discoveries being made this day, Three Stones Make a Wall is a full of life and crucial creation to the tale of archaeology.
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Extra info for Three Stones Make a Wall: The Story of Archaeology
On the other hand, it looked to him as if the first phase of the next level, known as Troy VIIa, was a city that had been besieged and then destroyed by an army. So he reopened the excavations at Hissarlik in the 1930s in an attempt to see whether he was right. Now there was even less left for him to dig, since Dörpfeld had excavated much of what Schliemann had left untouched. But Blegen found enough to convince himself that Troy VIIa had been destroyed by humans, in a protracted siege. And his evidence is fairly convincing, including arrowheads buried in the walls, bodies left lying in the streets, and other indications that at least one major battle had taken place.
He suddenly noticed one of the workers unearthing a copper pot, behind which he could see the glint of gold. Dismissing the worker, he and his wife Sophia “cut out the Treasure with a large knife,” working quickly because a large section of earth above them looked like it was about to cave in on them at any moment. Sophia gathered the objects together in her shawl and carried them into their house, where the two of them catalogued the objects and realized what they had just found—a king’s treasure of gold necklaces, rings, and earrings, including two diadems, a headband, sixty earrings, and nearly nine thousand smaller ornaments.
They may give us clues about ancient trade and interconnections at that time—and that makes them even more interesting to archaeologists than their fictional connection to Priam and Homer’s Iliad. PpPp d IggINg uP TrOy 31 Schliemann continued to dig at Troy throughout the 1870s and 1880s, though he also was digging at Mycenae at that time, looking for material remains of King Agamemnon. To help him at Troy, he hired Wilhelm Dörpfeld, an architect with some previous archaeological experience, who eventually persuaded Schliemann that he had been wrong and that it was Troy VI or Troy VII at Hissarlik that he should have been investigating all along.