Uncle John's Bathroom Reader Tunes into TV by Bathroom Readers' Institute

By Bathroom Readers' Institute

What does Homer Simpson name “friend…mother…secret lover?” tv, you meathead! the following comes your wacky neighbor Uncle John to provide television the way in which simply he can. From try styles to Top Chef, from My 3 Sons to Mad Men, in addition to television information, ads, scandals, sitcoms, dramas, truth indicates, and yadda yadda yadda, Uncle John's rest room Reader Tunes into TV is “dy-no-mite!” learn about…

Gilligan’s seven lethal sins
The within tale of TV’s first commercial
What is going on backstage of Jeopardy!
The such a lot exceedingly strange exhibits from round the world
Why Gene Roddenberry attempted to beam the unique Star Trek solid into space
What truth exhibit manufacturers don’t wish you to know
How the King of overdue evening beaten his competition
What relatively went down at the island of LOST
Unexpected sitcom fatalities
TV’s maximum chimps
And a lot, a lot more!

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Inter- 30 Klaus-Dieter Altmeppen, Katja Lantzsch und Andreas Will nationale Konzepte – Innovative Instrumente – Aktuelle Praxisbeispiele. , überarb. und erw. Aufl. Wiesbaden: 859-882. Benedict, Benjamin (2008): Industrialisierung der Fernsehproduktion in Deutschland – Geschichte und Perspektive einer standardisierten Produktionsform. In: Medien-Wirtschaft (1): 18-26. Cottle, Simon (2003): Media Organisation and Production: Mapping the Field. ): Media Organisation and Production. London/Thousand Oaks/New Delhi: 3-24.

The question is, of course, whether the organizing of entertainment – here more specifically focused on TV – displays any characteristics which make it different from other types of organizations and therefore worthwhile to study. The obvious answer is ‚yes‘. One of the most significant changes in the organizing of television production and broadcasting in Europe is the transformation from monopoly Public Service broadcasters producing all content inhouse, to an industry where the supply chain is broken down into specialized actors delivering commissioned content to both commercial and public broadcasters.

Die mächtige Position der Hauptsender in der Fernsehindustrie könnte zu einer Situation führen, in der die Produzenten überhaupt nicht mehr an den öffentliche-GüterMerkmalen ihrer Produkte verdienen. Wenn zum Beispiel Sender es schaffen, alle Übertragungs- (oder sekundäre und tertiäre) Rechte aufzukaufen, dann werden es die Sender und nicht die Produzenten sein, die von den größenbedingten Kostenvorteilen profitieren, falls solche Übertragungen an weitere Zuschauergruppen verkauft werden. Kern der Sache ist das Eigentum der Rechte: ein sehr wichtiges Thema in den kreativen Industrien (Towse 2003).

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